Spirit of Art
Yesterday & Tomorrow 
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Portland Oregon 97217
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Huichol Indian Yarn Art
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Wonderful Colorful Vintage 1970s Huichol Indian Yarn Paintings,
 by Cresencio Perez Robles & Guadalupe Gonzalez Rios

 

These wonderful vintage 24 X 24 yarn painting are made by master artist Cresencio Perez Robles. Perez?s &  Guadalupe Gonzalez Rios work was included in book Art of the Huichol Indians, which accompanied an Exhibition of Huichol Indian Art, organized by the Fine Arts Museums of San Francisco. The exhibition traveled from San Francisco in 1978 to Chicago and New York. It was this show and the accompanying catalogue that first introduced Huichol yarn painting to the general public.

Cresencio Perez Robles work was also featured the exhibit Living Traditions Mexican Popular Arts in 1992 at the University Art Museum at Albany State University of New York and the accompanying book of the same title.

These yarn pinting were made in the 1970?s of wool yarn pressed onto bee's wax spread on a wooden board. Today yarn paintings are made of acrylic yarn. On the back the artist wrote the meaning of the piece in both Huichol and in Spanish and it is signed by the artist.

 

280.00 each.

                                                           All have been sold


The Huicholes manifest their religious faith in the art offerings they produce: backstrap weavings, beaded masks, prayer bowls, bundles of arrows decorated with feathers which carry the petitioners' prayers to the ears of the gods in the heavens, and the yarn paintings recognized around the world and displayed in the finest museums and galleries.

The yarn paintings evolved from early offerings made of stone or wood. Called "nierikas", these stone or wood slabs were carved with designs, then the raised ridges were painted with natural dyes made from crushed plants, insects and seeds. The nierika is the opening into the spirit world through which shamans pass in order to communicate with the gods and return with messages for their people.

As outsiders realized the economic potential for sales of Huichol art, they sought to adapt traditional pieces to forms were easily transportable and faster to produce. The stone nierika were replaced with ones made of wood. The wooden boards were spread with beeswax, then left to warm in the sun. All materials must be from the natural world. The artisan would scratch his design into the wax with a sharpened stick. When the wax was warmed and maleable, he would fill in the lines by patiently twisting and coiling colored yarns to create his own cryptic message from the gods which he received from dreams, or from peyote-induced visions during religious episodes.

The animals  and symbols of the yarn paintings represent the core of Huichol culture and religion. Each detail has great significance and weaves into the totality of the paintings' message. Eagle, snake, bird, jaguar, scorpion, turkey and deer -- living creatures who, like the Huicholes, know the gods and have a duty to perform.
Corn, flowers, peyote buttons, datura -- ephemeral, growing creations of Great-Grandmother-Growth -- like man, have a short life on this Earth during which they bear witness to the bounty of nature. Colors are also significant. Red is the color of blood and the rising sun in the east. Black is the represents death and the darkness of the west when the sun sinks into the underworld. Green, the color of growing things, is the vital life force of regeneration of the northern light. Blue symbolizes the wisdom and knowledge that eminates from the south. Yellow is the color of fire, of the sun and the center of man's spirit. White, the color of the sacred rain clouds that bring life-giving moisture from the ocean, is also the color of the deer's tail, representative of Great-Grandfather-Deer-Tail. The deer is the incarnation of the gods on earth, the symbol of goodness. To follow the deer means to seek the meaning in one's own life and follow the path to spiritual completion.

 

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